"From jungle to high-rise, the cocaine flows cleanâbut itâs filtered through blood at every stop."
No screaming. No bloodthirsty maniacs.
Running with the Devil lives in the shadows of the drug worldâwhere every shipment has a price, and every step is tracked by someone more dangerous than the last.
One supply chain. Countless masks. And death that doesnât knock first
When a shipment of cocaine is stolen, a powerful cartel boss sends his most trusted enforcerâThe Cook (Nicolas Cage)âto trace the productâs journey from the jungles of Colombia to the streets of Canada.
Alongside him is The Man (Laurence Fishburne)âan addict, a connector, a liabilityâriding the line between chaos and control.
The film doesnât speak loudlyâbut every glance is a loaded weapon
What makes Running with the Devil unsettling is its refusal to romanticize anything.
There is no heroâonly roles within a deadly system.
No backstories. No redemption arcs.
Just âThe Boss,â âThe Cook,â âThe Agent,â âThe Executionerââtitles, not people.
There are no tears. No apologies.
And no survivors who trust the wrong face.
No one's innocent. Just waiting to be exposed.
This is a brutal anatomy of the global cocaine tradeâfrom raw jungle extraction, border crossings, and refinement stations to nightclubs and upscale kitchens.
Blood is spilled at every stopâeven if the killer never holds a gun.
To serve cocaine to the rich, someone always dies in the dirt
Running with the Devil isnât here to entertain. Itâs here to exposeâ
a machine that moves in silence, fueled by greed, and leaves nothing but corpses in its wake.