Trapped in a funeral home, she must fight for her life—or accept her death.
After.Life (2009) is a haunting psychological thriller that explores the mysterious space between life and death. Directed by Agnieszka Wójtowicz-Vosloo, the film centers on Anna Taylor (Christina Ricci), a young woman who awakens in a funeral home after a car accident—only to be told by the solemn mortician Eliot Deacon (Liam Neeson) that she is dead. But is she really?
As Eliot prepares Anna’s body for burial, he insists he can communicate with the recently deceased and is helping her “transition” to the afterlife. Trapped in the mortuary, Anna begins to doubt everything—her memories, her body, her sense of time. Meanwhile, her grieving boyfriend Paul (Justin Long) refuses to believe she’s truly gone and begins a desperate investigation that pulls him toward a chilling revelation.
What makes After.Life so unsettling is its constant ambiguity. The film toys with perception and belief: Is Eliot a gifted medium, or a disturbed killer? Is Anna’s soul still fighting for life, or is denial masking her death? Every quiet conversation and sterile corridor drips with existential dread.
Beautifully shot with muted tones and somber atmosphere, the film blurs the line between horror and philosophical reflection. Christina Ricci delivers a vulnerable, haunting performance, while Liam Neeson balances calm authority with chilling detachment. The film doesn’t scream its horrors—it whispers them, allowing fear and uncertainty to settle in slowly.
In the end, After.Life forces viewers to confront a terrifying question: How can you be sure you're alive?