Her first night on duty will become a shift into terror no training could prepare her for.
Last Shift (2014) is a nerve-shredding horror thriller that transforms a quiet police station into a house of unspeakable nightmares. Directed by Anthony DiBlasi, the film follows rookie cop Jessica Loren as she takes her first assignment: to guard a decommissioned police station on its final night before permanent closure. What starts as a lonely overnight duty spirals into a descent into madness, as Jessica confronts something far more terrifying than isolation.
The station, seemingly empty, is steeped in a dark past—one tied to the cult of John Michael Paymon, a Manson-like figure whose followers committed grotesque rituals within its walls. As eerie occurrences escalate—ghostly figures, strange noises, impossible events—Jessica begins to question what’s real. Are these visions manifestations of trauma and fear, or is something truly evil left behind?
Through atmospheric lighting, tight camera work, and minimalistic storytelling, Last Shift masterfully builds psychological tension. The sense of space slowly closes in, trapping the viewer alongside Jessica. Each hallway becomes a maze of dread; every shadow might be hiding a phantom. Juliana Harkavy delivers a raw, emotional performance that anchors the film with vulnerability and resolve.
More than a haunted-house horror, Last Shift explores themes of inherited evil, isolation, and institutional decay. The film doesn’t rely on cheap jumpscares—it taps into deeper fears: of being alone, of losing sanity, and of the past never truly staying buried.
As the hours tick away, Jessica must decide what she believes—and what she’s willing to sacrifice. In this station, your shift never truly ends.