When freedom is a lie, survival becomes revolution.
Article:
Vis A Vis (2025) returns with a powerful reimagining of the acclaimed prison thriller—this time set in a post-pandemic world where control, identity, and justice collide behind concrete walls. Created by returning showrunner Alex Pina, this new chapter delves even deeper into the psychological warfare and shifting alliances that define life behind bars.
The film follows Macarena Ferreiro, now a hardened survivor of multiple prison systems, as she is transferred to an experimental correctional facility called Aurora 17. Promised rehabilitation, the prison instead turns out to be a high-tech dystopia where surveillance, manipulation, and psychological control replace violence. When inmates begin disappearing without explanation, Macarena must decide whether to conform—or lead a revolt that may cost her everything.
Visually, Vis A Vis (2025) is stark, clinical, and claustrophobic. Every shot enhances the theme of entrapment, not just physically but mentally. The film ditches flashy action for raw, internal conflict, spotlighting the trauma and resilience of women trapped in a system designed to erase them. Flashbacks and hallucinations blur reality, creating an atmosphere as tense as it is surreal.
One of the film’s strongest elements is its ensemble cast. Zulema (Najwa Nimri) makes a haunting return, now reduced to a mythic figure among the inmates. New characters—like Soledad, a mother imprisoned for cybercrime, and Yara, a political activist turned inmate—bring fresh layers of conflict and perspective. Each woman is fighting not just for survival, but for her voice.
More than a story of rebellion, Vis A Vis (2025) is a commentary on how systems institutionalize silence and shape identity. It's intense, character-driven, and disturbingly relevant. The walls may be steel, but the true prison lies in the mind—and some women are ready to break both.