The School for Good and Evil (2022) – Where Fairy Tales Choose Sides

“Not every princess belongs in the light, and not every witch is born to be wicked.” 

The School for Good and Evil (2022) casts a vibrant spell on audiences with a dazzling fantasy world where fairy-tale destinies are forged—and sometimes defied. Directed by Paul Feig, the film adapts Soman Chainani’s bestselling novel into a colorful cinematic adventure brimming with magic, friendship, and the blurry lines between heroes and villains.

The story follows Sophie (Sophia Anne Caruso), a girl who dreams of becoming a princess, and her best friend Agatha (Sofia Wylie), who’s content with her dark, misunderstood aura. When both girls are whisked away to the School for Good and Evil, their expectations are shattered: Sophie lands in the School for Evil, while Agatha finds herself among the heroes-in-training. As tensions rise, secrets are revealed, and the bonds of friendship are pushed to their limits.

Visually, The School for Good and Evil is a feast of elaborate costumes, gleaming castles, and vivid magical effects. Paul Feig’s direction balances playful humor with earnest fairy-tale stakes, creating a film that’s accessible for young audiences yet layered enough to entertain adults. The dynamic between Caruso and Wylie adds emotional depth, making viewers root for them despite the schools that try to keep them apart.

Beyond spells and sword fights, the film explores meaningful themes: the true nature of good and evil, identity, and the power of choice over destiny. Characters wrestle with inner conflicts, questioning whether appearances and labels truly define who they are. These deeper notes elevate The School for Good and Evil beyond simple fairy-tale fluff.

By its magical finale, The School for Good and Evil (2022) emerges as an enjoyable ride through a world where princes and witches might be closer than anyone dares to believe. It’s a sparkling reminder that sometimes the best stories lie in the grey space between good and evil.