“Beauty in Black reveals how one masterpiece can be stitched together with lies, envy, and blood.”
“Beauty in Black” (2025) emerges as a sleek psychological thriller blending high fashion, art, and deadly secrets into a mesmerizing cinematic experience. Directed by Emerald Fennell, the film weaves glamour and darkness into a tale where appearances are deceiving—and obsession can kill.
The story centers on Elise Montrose (Ana de Armas), a celebrated fashion designer whose signature collection, known as “Beauty in Black,” has made her an icon in the haute couture world. But during Paris Fashion Week, a shocking murder occurs backstage at her runway show. When detective Adrian Valois (Adam Driver) begins investigating, he discovers that Elise’s glamorous world hides tangled secrets, ruthless rivalries, and a mysterious past she’d rather keep buried.
Emerald Fennell crafts a stylish, suspense-filled film drenched in glossy visuals and razor-sharp dialogue. The world of “Beauty in Black” is one of luxury and stark contrasts: glittering runways, shadowy ateliers, and tension simmering beneath every polite smile. Each scene brims with visual decadence, from flowing silk gowns to ominous shadows lurking behind velvet curtains.
Ana de Armas delivers a captivating performance as Elise—a woman at the pinnacle of fame but haunted by guilt and suspicion. Adam Driver adds depth and quiet intensity as Valois, whose investigation becomes as much about understanding Elise’s psyche as solving a murder. Their chemistry crackles with danger and allure, keeping the audience guessing about who is predator and who is prey.
Beyond its thriller plot, “Beauty in Black” explores themes of identity, ambition, and the price of artistic genius. It’s a film about how the things we hide define us—and how beauty can be the perfect mask for monstrous truths.