She’s not just running from them. She’s running toward the truth
The Hunt: At the End of the World (2025) is a brutal, high-stakes survival thriller set in a desolate future where society has collapsed and human lives are currency. Fusing dystopian science fiction with primal action, the film delivers a harrowing tale of desperation, betrayal, and bloodsport in a lawless wasteland where the only rule is: kill or be hunted.
The story unfolds in the ashes of a global ecological collapse. Governments have crumbled, cities lie in ruins, and only the wealthiest survive in fortified sky-citadels floating above the poisoned earth. But on the surface, entertainment still exists—for the elite. It's called The Hunt: a savage sport where “runners” are released into vast, irradiated terrain, chased by the deadliest trackers money can buy. The prize for surviving 72 hours? Freedom, food, and a one-way ticket off the dying planet.
Enter Lara Rios, a former military scout turned smuggler, wrongfully convicted and forced into the game. She’s dropped into the Red Zone—an arid hellscape of broken machines, acid storms, and genetically engineered predators—with no allies, no weapons, and a team of elite hunters led by Keller Vane, a sadistic ex-tactician known for turning the game into an artform.
But Lara isn’t prey. She’s strategy. And she’s about to flip the game board.
As the hunt unfolds across ruined industrial complexes, mutant-infested swamps, and the skeletal remains of Earth’s former glory, Lara begins to uncover a deeper conspiracy: The Hunt isn’t just a game—it’s a cover for eliminating resistance fighters and testing next-gen combat tech. And she's not just a target—she's the key to something much bigger.
With explosive action, tactical cat-and-mouse sequences, and a fiercely determined lead, The Hunt: At the End of the World is a fast, savage ride into the darkest corners of survival and the last flicker of justice in a world that forgot what humanity meant.
