"When your holiday comes with bullets, betrayal, and a body count, you know Mike Fallon’s in town."
In Accident Man: Hitman’s Holiday, Mike Fallon is back — but this time, the world’s most creative contract killer trades the gray streets of London for the neon-lit chaos of Malta. What was supposed to be a sun-soaked getaway quickly spirals into a carnival of bullets, betrayals, and black humor. Fallon’s knack for turning murder into a masterpiece collides with a cast of eccentric assassins, each deadlier and stranger than the last, in a game where survival is the ultimate punchline.
The film wastes no time pulling viewers into its high-octane action sequences, a cocktail of bone-crunching choreography, creative kills, and outrageous set pieces. Scott Adkins, once again owning the role, brings his signature blend of physical intensity and deadpan wit, making Fallon both a lethal force and a reluctant hero. Malta’s vibrant streets become both playground and battleground, each corner hiding a new trap or target.
But beneath the splatter and the snark, Accident Man: Hitman’s Holiday leans into the absurdity of its own premise — a hitman with a conscience, begrudgingly saving the day. Fallon’s mission isn’t just about staying alive; it’s about protecting Dante, a spoiled mafia heir whose survival could prevent an all-out gang war. The result is a bizarre buddy dynamic, where one man dodges bullets while the other complains about room service.
It’s a film that knows exactly what it is: unapologetically over-the-top, shamelessly stylish, and proud of its comic book roots. From slapstick brawls to slow-motion showdowns, the action is laced with humor that never undercuts the stakes. And while Fallon’s vacation may be ruined, for the audience, it’s a holiday worth taking — so long as you don’t mind a little blood in your cocktails.
