"When the world stopped believing in evil, evil found the perfect place to hide."
In a world where monsters have learned to hide behind the veil of civilization, only one man still believes in the dark. Heās not a priest. Not a superhero. He is Van Helsingāthe last of the monster hunters. And his blood⦠is no longer pure.
An ancient legend returnsābloodier than ever before
The world believes vampires, werewolves, and creatures of the dark are nothing but myths. But after a series of disappearances across Europe, the shadows begin to stir again. A secret society that has protected non-human entities for centuries finally makes a mistake.
Van Helsing, a disgraced hunter thought long dead, reemergesānot with crosses or holy water, but with silver rounds, steel traps, and inherited rage.
Hunting monstersāwhile slowly becoming one
Unlike previous versions, Van Helsing (2025) delves deep into the broken psyche of a man cursed by the very evil he hunts. He cannot dieābecause part of the curse lives inside him. Every time he slays a creature, he feeds the beast within.
This film doesnāt glorify the hunterāit corners him.
And it forces the audience to ask: whoās truly the monster here?
Darkness doesnāt crawl from graves. It lives within us.
Directed by Robert Eggers (The Witch, The Northman), and shot in eerie gothic palettes, Van Helsing is a symphony of blood, steel, and shadow. Its battles are not just physicalāthey are clashes between conscience and primal instinct.
Dracula, this time, isnāt just a villain.
Heās the face of a new ageāone that no longer needs humanity, only immortality.
If monsters now walk among us⦠who will stand to kill them?
Not everyone believes in evil. Van Helsing doesnāt care.
All he needs to know is: the dark still breathes. And itās his job to make it stop.